Avatar 3 Lữa và Tro Tàn - Cách tạo ảnh chụp cùng nhân vật chính Avatar

A hyper-realistic photograph referencing the attached image, capturing a selfie taken while seated inside a large, dimly lit IMAX movie theater.

The subject (the user) is sitting in the center, holding a large popcorn bucket on his lap. On his left sits Jake Sully, relaxed in his own movie theater seat, wearing full Na’vi attire and jewelry, drinking soda through a straw from a large cup. On his right sits Neytiri, also in her own seat, fully in Na’vi form with detailed blue skin, beads, jewelry, and braids, putting popcorn into her mouth with visible excitement.

All three characters are looking at the camera as if taking a fun, amazed selfie together. Their facial expressions show them super impressed and emotionally absorbed by the movie, even though the cinema screen is NOT visible in the image.

The user wears a black short-sleeved V-neck shirt with an Avatar logo on the chest and long jeans, seated comfortably between the Na’vi characters. The theater seats are dark red leather with visible armrests, cup holders, and soft ambient cinema lighting.

Cinematic key lighting subtly illuminates their faces and creates natural shadows, matching skin tones and textures realistically between human and Na’vi characters.

The image features:

– shallow depth of field

– 24mm wide-angle selfie perspective

– ultra-high resolution

– film-grade color grading

– crisp sharp eyes

– perfect seam blending

– realistic fabric, skin, and hair detail

– no visible artifacts

– a warm, magical, immersive mood

2.

A realistic photograph, referencing the attached image, shows a selfie taken while seated in a large, dimly lit IMAX theater. The man wears a white short-sleeved V-neck shirt with an Avatar logo on the chest and long jeans. Beside him are two Navi characters from the Disney film Avatar: Jake Sully and Neytiri, in their blue Navi attire, jewelry, and weapons. They pose together with light smile.

The man's head is tilted towards Neytiri, and Jake Sully's arm is around his shoulder. The man is looking directly at the camera with light smile. An Avatar fire and ash movie poster is displayed on the large screen behind him. Cinematic directional key lighting illuminates the scene with subtle edge lighting.

The image features a shallow depth of field, a wide-angle lens (24mm equivalent), high resolution, film-grade color grading, natural textures, realistic fabric details, believable character integration, and perfectly matched lighting and shadows between live and animated characters. The eyes are exceptionally sharp, the background has a gentle bokeh effect, and professional retouching ensures there are no visible seams or artifacts, evoking a warm, nostalgic mood.

3. 

Use the image of the person as a reference, without altering their facial or physical characteristics, with a face that is 100% faithful and accurate. Maintain the real skin texture to preserve realism. High sharpness on the skin. Do not reproduce any texts, logos, watermarks, signatures, or emojis present in the reference image.

Subject: Ultra-realistic cinematic portrait of the woman from the reference image, in an aesthetic inspired by the universe of the film Avatar: Fire and Ashes (2025), with elements of humanoid tribal warriors from Pandora. The result should be a visceral, dark, and cinematic aesthetic.

Skin: The person in the reference image has naturally blue skin, typical of Avatar characters from the planet Pandora. Extremely detailed texture, showing pores, imperfections, and a subtle layer of dirt/mud. The red body paint resembles indigenous tribal paintings; it is matte and appears to be applied in a rustic manner. Broad nose, similar to characters born on the planet Pandora. Pointed ears, similar to those of Avatar characters born on Pandora, with wooden ear gauges in the lobes.

Eyes: Bright amber-yellow eyes with feline-like slits, serving as the main focal point and highest contrast on the face.

Hair: The same hair color as the person in the reference image. Composed of thin dreadlocks and tight braids that vary in thickness. The braids start close to the scalp (cornrows or root braids). They have a slightly stiff and “dirty” appearance, consistent with a survival environment. The hair grows in a way that complements the facial markings and pointed ears. There is a smooth transition between the textured blue skin and the beginning of the braids.

Accessories: Organic materials such as natural fiber ropes (hemp or beige/straw-colored plant fibers) wrapped around some strands of hair, leather elements, and a large feather headdress made of vibrant bird feathers (long, vivid feathers in crimson red tones). Small cylinders or beads inserted at the ends or along the braids, serving as weights and decoration.

Expression and pose: Facial expression of silent confrontation and determination. The amber-yellow eyes are focused directly on the lens, conveying a sense of vigilance and authority. No smile or relaxation; firm jaw, suggesting tension. Upright and proud posture. Chin slightly raised, suggesting leadership or anticipation. Shoulder and chest muscles are slightly contracted, reinforcing the idea of a body ready for physical action. The presence of mud and wear on the facial paint removes any sense of “aesthetic perfection” and replaces it with an expression of survival and combat experience.

Color scheme: Complementary colors (Blue vs. Orange/Red). The blue skin strongly contrasts with the red feathers and the orange sparks in the background.

Key Light: A soft side light that sculpts the musculature and facial bone structure, creating deep shadows that add drama (Chiaroscuro style).

Rim Light: A subtle glow on the edges of the shoulder and hair, separating the subject from the dark background.

Temperature: A balance between the “cool” blue skin and the “warm” ember/fire environment.

Background / Setting: An atmosphere of conflict; the scene is not static. It consists of a dark, dense haze filled with suspended embers, sparks, and ashes. This suggests the character is near a bonfire, a recent battle, or a volcanic environment. The background is heavily blurred, creating orange bokeh light circles (out-of-focus sparks). This contrast between the “warm” and chaotic background and the “cool” (blue skin), sharp subject makes the character stand out with strong three-dimensionality. Background color palette dominated by charcoal tones, dark browns, and vibrant oranges. There are no defined shapes (trees or buildings), only atmospheric texture that reinforces the dark mood of the photograph.

Color grading: Heavy grading emphasizing contrast, increased sharpness in textures (clarity/texture), and selective saturation adjustment in reds and blues.

Framing / Angle: Medium profile shot, emphasizing posture and head adornments. Eye-level angle, creating a direct and intimate connection.

Depth of Field: Extremely shallow (bokeh). The background is completely blurred with circular light points (circles of confusion), isolating the character and adding tridimensionality to the scene.

Technical details:

Professional mirrorless camera (Canon R5 / Sony A7R / Nikon Z7)

Full-frame 105mm lens

Aperture: f/1.8 to f/2.8

Shutter speed: 1/200

ISO: 100 to 400

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4. Use the image of the person as a reference, without altering their facial or physical characteristics, with a face that is 100% faithful and accurate. Ultra-realistic cinematic scene, mid-shot angle with dynamic motion. A fit stylish man is riding on the back of a massive Toruk, its wings stretched wide as it soars above Pandora's floating mountains. The man wears a white t-shirt, blue ripped jeans, and white sneakers. His short hair flows dramatically in the wind as the Toruk dives and glides through the sky. Sitting just behind him is a Na'vi rider, guiding the creature and holding its reins, ensuring.